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Our name

Te Kāhui Whaihanga New Zealand Institute of Architects was founded in 1905 but received the gift of a new name in 2019.

In 2019, following the 2017 signing of a kawenata (covenant) between the New Zealand Institute of Architects (NZIA) and Ngā Aho, the Māori designers’ organisation, the Institute was gifted a Māori name by the eminent teacher, broadcaster and writer Dr Haare Williams, MNZM. The words 'Te Kāhui Whaihanga' have now been incorporated into the Institute’s title.

To summarise: Te Kāhui is a group of people covered by a cloak that embraces the deeper meanings of knowledge – the taonga of knowledge. Whaihanga is to build. Whai is to pursue, hanga is to shape, so Whaihanga is to build – a house, a nation, a people.

 

The gift of a new cloak

Dr Haare Williams (Te Aitanga-a-Māhaki, Rongowhakaata, Ngāi Tūhoe) and former NZIA Councillor Elisapeta Heta (Ngātiwai, Waikato Tainui) discussed the genesis and meaning of the new te reo title with John Walsh, our former Communications Director, over a cup of tea in Dr Williams’ Papakura home. The following is an extract from that conversation – to read the full interview, download a free copy of Tapoto 2 in our online shop.

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Our logo

Imogen Greenfield, the Manager, Design & Creative at Te Kāhui Whaihanga NZIA, explains how she designed the Institute's new logo. 

"As the NZIA’s designer it was my job to give graphic representation to the Institute’s new Māori name, and to incorporate the new name in the mark or logo of the organisation.

"There were contextual issues to understand in the first place: where does the name Te Kāhui Whaihanga come from, and what does the term mean? Following on from that, there were graphic challenges to address: how to visually distinguish between the te reo Māori name and the English name without creating a hierarchy. And how to make a visual connection between the wordmark and its meaning.

"Taking inspiration from, but not seeking to replicate, whakairo – Māori traditional carving – and using the form of NZIA’s standard typeface, I developed a wordmark that can fit with the English name but stand independent of it, too. In the mark, the double line used on Te Kāhui Whaihanga creates a unique texture and lightens the weight of the words without sacrificing their importance. It also talks to the meaning of the words – the shaping of a house, or a nation, to create something.

"I also looked at a pattern which could be incorporated into the Institute’s graphic collateral. I thought a weave pattern or motif would be appropriate as what the adoption of a te reo Māori title signifies is the weaving together of the Institute and Māori practitioners. I considered an iteration of the tukutuku pattern, but a discussion with Elisapeta Heta led in the direction of the kupenga, or net, used to gather food. This is another weave motif, and it has a nice allusion to the collection of knowledge and the bringing together of people."

The roundel

The circular component of our logo has been part of the Institute since its earliest days. It is inspired by an essay published in 1849 called The Seven Lamps of Architecture by Victorian art critic John Ruskin. There are several components in the roundel, each of which has its own significance:

  • The four stars represent the Southern Cross constellation 
  • The seven lamps in the middle represent Ruskin's seven 'lamps' of architecture, which are also noted in the banner: sacrifice, truth, power, beauty, obedience, memory and life. 
  • The ferns represent the silver fern of Aotearoa.

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